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Camera Stabilizers: Cheaper Filmmaking Tools In The Modern Age

By Kenisha Kowsalski


Right now, virtually any digital camera has video features. Heck, grab a cell phone and it most likely can record video. For sure, the grade will probably be sketchy but that is not the idea. The thing is, it is almost everywhere. At this point, any flourishing filmmaker could arm themselves with some of the easiest instruments of the trade.

Actually, that's before their ingenuity grows. With our access to all these digital tools arise so many selections and capacities; it could also expand our aspirations and visions. The problem right now will probably be, accomplishing them. After we have graduated from the basic digital camera and saved up for a good video camera to begin "recording" our indie film project, we will also at that time, have found the constraints of shooting with a mobile product. Any kind of film not worth his or her salt knows that no measure of steadying will take the jolting movements from their shots and that for a specialist looking result-that also an independent film would intend-one will have to employ a camera stabilizer.

There lies the rub. For amateurs, learners, or independent filmmakers, use of devices like a camera stabilizer, that is basically among the most basic camera tools, is not always easy or inexpensive. For the longest time, these are already only for the use of experts who had access to them through large-budget studio ventures. The same might be said through out the bigger, fancier, and even more pricey equipment.

The good thing about the digital revolution is that with more people gaining access to film and video devices which are now normal and typical but would have been considered top secret and cutting edge years ago, is that the market is able to demand much better products and solutions from the design, engineering, and production industries.

These are actually very exciting times for the creative fields. Today, for a lot less money, you can find independent filmmakers doing the work using new and affordable technology. No access to costly specialized equipment? No problem. Technology and design is here as far as to deliver solutions. We have now excellent filmmaking gear from camera stabilizers, to jib cranes, to track dollies at a fraction of the cost of professional-quality equipment.

Afterall, it is not about the equipment one captured with, it is about the film.




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